Stage Management

Cameron has professionally Stage Managed for Theatre, Ballet and Opera.

Check out some highlights below!

Mud

Nevada Conservatory Theatre 2024

Written by Marie Irene Fornes

Director: Norma Saldivar

Intimacy/Fight Coordinator: Sean Boyd

Cast of 3, Crew of 10, Full Orchestra

Notated Fight Choreography
Notated Intimacy Choreography
Worked Closely with Intimacy Coordinator
Took blocking notation in StageWrite
Calling Light, Sound, Deck, Rail and Spot Cues
Coordinated Filming of Project

Fiddler on the Roof

Brigham Young University Music Dance Theatre 2022

Music by Jerry Bock

Book by Joseph Stein

Director: David Morgan

Music Director: Korianne Johnson

Choreographer: Adam Dyer

Conductor: Chris Smith

Cast of 31, Crew of 27, Full Orchestra

Extensive Fight Choreography and Tumbling
Use of the Rail and Aerialists
Took blocking notation in StageWrite
Coordinating with a live Orchestra
Maintained safety protocols and trained swings/adjustments during the COVID-19 Pandemic
Organized multiple simultaneous rehearsal rooms
Calling Light, Sound, Deck, Rail and Spot Cues
Coordinated Filming of Project
Maintained Safety with multiple Harnessed Performers

A Dinner Engagement

Brigham Young University School of Music 2021

Composed by Lennox Berkeley

Libretto by Paul Dehn

Director: Robert Brandt

Conductor: Nicolas Giusti

Coach: Barbra Allen

Pianist: Sylvan Scott

Cast of 7, Crew of 5

Full show double cast to maximize shows with 3 additional covers (Total cast of 17)
Dealt with live food on stage
Worked in a functioning kitchen space onstage
Coordination with videographers for live streaming
Took blocking notation in StageWrite
Called light and deck cues
Worked with a live pianist
Maintained safety during the COVID-19 Pandemic

Bon Appetite

Brigham Young University School of Music 2021

Composed by Lee Hoiby

Text Drawn from Julia Child in The French Chef

Director: Robert Brandt

Conductor: Nicolas Giusti

Coach: Barbra Allen

Pianist: Sylvan Scott

Cast of 2, Crew of 5

Lead role double cast to Maximize Shows (total cast of 3)
Dealt with live food on stage
Worked in a functioning kitchen space onstage
Took blocking notation in StageWrite
Coordination with videographers for live streaming
Called light and deck cues
Worked with a live pianist
Maintained safety during the COVID-19 Pandemic

Prothero

Salt Lake Fringe Festival 2021

Written by Maggie May

Directors: Mariah Eames & Mandarin Van Noy

Production Manager: Melissa Longhusrt

Cast of 7, Crew of 1

Was sole tech including light & cue lab operation
Working with a new script/revisions
Touring production across venues in the Salt Lake Fringe Festival
Took lead on scenic set up and take down including practical LED light strips
Coordinated cast travel to venue

The Magic Flute

Brigham Young University School of Music 2019

Composed by Wolfgang Amadeus Mozart

Libreto by Emanuel Schikaneder

Director: Joshua Lindsay

Maestro: Kory Katseanas

Coachs: Barbra Allen & Nicolas Giusti

Cast of 34, Crew of 19, Full Orchestra

19 Lead Roles Double Cast to Maximize Shows (Total cast of 53)
Took blocking notation in StageWrite
Worked with staggered rehearsals with midday in class rehearsals
Scheduled individual vocal coaching sessions with entire cast
Coordinated separate chorus rehearsals
Created run sheets for student chorus member and assigned show crew
Coordination with videographers for live streaming
Called light, rail, sound and deck cues
Worked with a live orchestra

Tribute

Artistic Director: Jacqueline P. Colledge

Associate Director UMB Co: Heather Gray

Production Manager: Jennifer Reed

32 Dancers, Crew of 4

Coordinated with lighting designer to create prompt script
Called light, sound and rail cues
Coordinated work with a live string quartet

Rosencrantz and Guildenstern Are Dead

Written by Tom Stoppard

Directed by Reese Purser

Cast of 25, Crew of 12

Took blocking notation in StageWrite
Created Rehearsal schedules
Created scenic/rail run sheets
Created prompt script
Called light, deck, rail and sound cues

The Player- Rosencrantz and Guildenstern Are Dead

Romeo y Julieta

Based on Rome and Juliet by William Shakespeare

Adapted by Vale McComb, Emily Dickerson & Mariah Eames

Directed by Julia Ashworth

Cast of 9, Crew of 1

Was sole technical support for touring production which performed to over 30 elementary schools and libraries as well as a 2 week run in the Harrison Fine Arts Center
Performed for over 1500 students in Utah and Salt Lake County
Coordinated cast performance with Utah bilingual education conference
Coordinated cast visit with playwright José Cruz Gonzalez
Created tour schedules
Became Van certified to shuttle casts to various venues
FBI Background Check license to work in schools
Supervised scenic set up and take down
Set up and ran sound on QLab

HappySadness

Written by Chandra Marie Lloyd

Directed by Taylor Hatch

Cast of 6, Crew of 3

Took blocking notation
Coordinated distribution of script revisions as it was a new work
Coordinated with the creation and maintenance of 5 puppets used throughout the show
Called light, sound and deck cues
Created a rehearsal schedule built around devising and playing with scenes for the benefit of the playwright

Nelke Theatre
Resident Stage Manager

Cameron also worked for 5 years as the resident stage manager of the Harrison Fine Arts Centers Nelke Theatre

Responsibilities included:

Coordinating and addressing the technical needs of 15+ student and visiting production in a given semester
Programing the light board
Light Hang/Focus
Running sound board
Coordinating on site scenic/prop storage
Mentoring student directors in how to work with Technical Directors
Supervising the scenic load in/load out of various productions
Maintaining theatre space/facilities