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"Tradition" from Fiddler on the Roof

Stage Management

Cameron has professionally Stage Managed for Theatre, Ballet and Opera.

Check out some highlights below!

Murder on the
Orient Express

Nevada Conservatory Theatre 2025

Based off of the Novel by Agatha Christie

Adapted by Ken Ludwig

Directed by: Michael Lugering

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Cast of 19, Crew of 20

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Silent Sky

Silent Sky

A Public Fit Theatre Company

Written by Lauren Gunderson

Directed by: Tracey Corea

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Cast of 5, Crew of 3

  • Called Lighting, Sound, Projection and Deck Cues

  • Worked extensively on Rehearsal Qlab in coordination with Sound Designer

  • Notated Blocking in Goodnotes

  •  

    Worked with transfer to performance space in the Clark County Library

The Wizard of Oz

Utah Metropolitan Ballet

Composed by Silvio Amato

Choreographed by: Jacqueline P Colledge

Assistant Director: Johnny Zhong

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Cast of 50, Crew of 11

  • Called Lighting, Sound, Video, Rail, Deck and ZFx Cues

  • ​Worked to remount previous lighting design

  • Spearheaded the remounting of projection cues in Qlab to adjust to new space

  • Worked alongside ZFX Flying Effects to coordinate performer flying to ensure safety and musical coordination of flying

The Wonderful Wizard of Oz
Mr. Burns

Mr. Burns: A Post Electric Play

Nevada Conservatory Theatre 2024

Written by Anne Washborn

Director: Kirsten Brandt

Rehearsal PSM: M William Shiner

Intimacy/Fight Coordinator: Sean Boyd

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Cast of 22, Crew of 11

  • Notated Blocking 

  • Notated Intimacy Choreography

  • Worked Closely with Intimacy Coordinator

  • Calling Light, Sound, Rail and Deck Cues for performance

The Pavilian

A Public Fit Theatre

Written by Craig Wright

Director: Ann-Marie Pereth & Joseph Kuzcan

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Cast of 3

  • Staged Reading

  • Notated Blocking

  • Calling Light and Sound Cues

  • Worked with transfer to performance space in the Clark County Library

Pavilion
Mud

Mud

Nevada Conservatory Theatre 2024

Written by Marie Irene Fornes

Director: Norma Saldivar

Intimacy/Fight Coordinator: Sean Boyd

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Cast of 3, Crew of 10, Full Orchestra

  • Notated Fight Choreography 

  • Notated Intimacy Choreography

  • Worked Closely with Intimacy Coordinator

  • Took blocking notation in StageWrite

  • Calling Light, Sound, and Deck Cues

Fiddler on the Roof

Brigham Young University Music Dance Theatre 2022

Music by Jerry Bock

Book by Joseph Stein

Director: David Morgan

Music Director: Korianne Johnson

Choreographer: Adam Dyer

Conductor: Chris Smith

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Cast of 31, Crew of 27, Full Orchestra

  • Extensive Fight Choreography and Tumbling​

  • Use of the Rail and Aerialists

  • Took blocking notation in StageWrite

  • Coordinating with a live Orchestra

  • Maintained safety protocols and trained swings/adjustments during the COVID-19 Pandemic

  • Organized multiple simultaneous rehearsal rooms 

  • Calling Light, Sound, Deck, Rail and Spot Cues

  • Coordinated Filming of Project

  • Maintained Safety with multiple Harnessed Performers

Fiddler on The Roof
Dinner Engagement

A Dinner Engagement

Brigham Young University School of Music 2021

Composed by Lennox Berkeley

Libretto by  Paul Dehn

Director: Robert Brandt

Conductor: Nicolas Giusti

Coach: Barbra Allen

Pianist: Sylvan Scott

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Cast of 7, Crew of 5

  • Full show double cast to maximize shows with 3 additional covers (Total cast of 17)

  • Dealt with live food on stage

  • Worked in a functioning kitchen space onstage

  • Coordination with videographers for live streaming

  • Took blocking notation in StageWrite

  • Called light and deck cues

  • Worked with a live pianist

  • Maintained safety during the COVID-19 Pandemic

Bon Appetite

Brigham Young University School of Music 2021

Composed by Lee Hoiby

Text Drawn from Julia Child in The French Chef 

Director: Robert Brandt

Conductor: Nicolas Giusti

Coach: Barbra Allen

Pianist: Sylvan Scott

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Cast of 2, Crew of 5

  • Lead role double cast to Maximize Shows (total cast of 3)

  • Dealt with live food on stage

  • Worked in a functioning kitchen space onstage

  • Took blocking notation in StageWrite

  • Coordination with videographers for live streaming

  • Called light and deck cues

  • Worked with a live pianist

  • Maintained safety during the COVID-19 Pandemic

Bon Apetite
Prothero

Prothero

Salt Lake Fringe Festival 2021

Written by Maggie May

Directors: Mariah Eames & Mandarin Van Noy

Production Manager: Melissa Longhusrt 

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Cast of 7, Crew of 1

  • Was sole tech including light & cue lab operation

  • Working with a new script/revisions

  • Touring production across venues in the Salt Lake Fringe Festival

  • Took lead on scenic set up and take down including practical LED light strips

  • Coordinated cast travel to venue 

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The Magic Flute

Brigham Young University School of Music 2019

Composed by Wolfgang Amadeus Mozart

Libreto by  Emanuel Schikaneder

Director: Joshua Lindsay

Maestro: Kory Katseanas

Coachs: Barbra Allen & Nicolas Giusti

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Cast of 34, Crew of 19, Full Orchestra

  • 19 Lead Roles Double Cast to Maximize Shows (Total cast of 53)

  • Took blocking notation in StageWrite

  • Worked with staggered rehearsals with midday in class rehearsals

  • Scheduled individual vocal coaching sessions with entire cast

  • Coordinated separate chorus rehearsals

  • Created run sheets for student chorus member and assigned show crew
  • Coordination with videographers for live streaming

  • Called light, rail, sound and deck cues

  • Worked with a live orchestra

The Magic Flute
Tribute.webp

Tribute

Artistic Director: Jacqueline P. Colledge

Associate Director UMB Co: Heather Gray

Production Manager: Jennifer Reed

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32 Dancers, Crew of 4

  • Coordinated with lighting designer to create prompt script

  • Called light, sound and rail cues

  • Coordinated work with a live string quartet

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Rosencrantz and Guildenstern Are Dead

Written by Tom Stoppard

Directed by Reese Purser

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Cast of 25, Crew of 12

  • Took blocking notation in StageWrite

  • Created Rehearsal schedules

  • Created scenic/rail run sheets

  • Created prompt script

  • Called light, deck, rail and sound cues

The Player- Rosencrantz and Guildenstern Are Dead
Romeo y Julieta

Romeo y Julieta

Based on Rome and Juliet by William Shakespeare

Adapted by Vale McComb, Emily Dickerson & Mariah Eames

Directed by Julia Ashworth

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Cast of 9, Crew of 1

  • Was sole technical support for touring production which performed to over 30 elementary schools and libraries as well as a 2 week run in the Harrison Fine Arts Center

  • Performed for over 1500 students in Utah and Salt Lake County

  • Coordinated cast performance with Utah bilingual education conference

  • Coordinated cast visit with playwright José Cruz Gonzalez

    Created tour schedules

  • Became Van certified to shuttle casts to various venues

  • FBI Background Check license to work in schools

  • Supervised scenic set up and take down 

  • Set up and ran sound on QLab

HappySadness

Written by Chandra Marie Lloyd

Directed by Taylor Hatch

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Cast of 6, Crew of 3

  • Took blocking notation 

  • Coordinated distribution of script revisions as it was a new work

  • Coordinated with the creation and maintenance of 5 puppets used throughout the show

  • Called light, sound and deck cues

  • Created a rehearsal schedule built around devising and playing with scenes for the benefit of the playwright

Happy Sadness
Nelke

Nelke Theatre
Resident Stage Manager

Cameron also worked for 5 years as the resident stage manager of the Harrison Fine Arts Centers Nelke Theatre

Responsibilities included:

  • Coordinating and addressing the technical needs of 15+ student and visiting production in a given semester

  • Programing the light board 

  • Light Hang/Focus

  • Running sound board

  • Coordinating on site scenic/prop storage

  • Mentoring student directors in how to work with Technical Directors

  • Supervising the scenic load in/load out of various productions

  • Maintaining theatre space/facilities

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